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TEXTILE ACTIVITIES IN
CHIERI Weaving in Chieri has a century long glorious history, which
began in the Middle Ages, consolidated in the ensuing centuries, with the Statutes of the
Universitą del Fustagno (University of Fustian) at the end of the XV cent., and then
always present in the history of the city, constantly affecting its economic and social
features and its urban layout. Some researchers believe that the beginning of this
production coincides with the settlement of weavers (about 1144 A.D.) coming from the
Balcans and practising the "Cathar" heresy.
The proto-industrial
period can be located between the late XV and the late XVI cent., when more than half of
the city population were engaged in "... beating, bleaching, drying, dyeing,
finishing, weaving . . .". Around these main activities others had developed,
strictly associated with farming: the growing of "gualdo"(a plant used in blue
dyeing), silkworm breeding and the cultivation of the mulberry tree (probably introduced
in Chieri by the noblewoman Sibilla, wife of Amedeo V, count of Savoy) and consequently
the drawing and twisting of silk thread. All these processes were required to convert raw
materials into fabric: silk, linen, hemp and later cotton, both raw and in skeins, coming
from the East via Marseille or Genoa. The typical dimension of the business was that of
the small family shop, that contracted out the weaving to home weavers.
The Chieri
manufacturer-merchants undertook to supply the large consumption goods, by containing the
production costs., considering that fustian was a medium/low quality fabric, of a bluish
colour, dyed with gualdo ("isatis tinctoria") exported through the port of Genoa
all over the world. A corruption of the word "Genoa" might explain the term
"blue-jeans", the famous fabric become popular in recent times, with similar
characteristics to the ancient Chieri's fustian. The production of fustian, flourishing in
the XV and XVI cent., ran into a crisis starting from the second half of the XVII. Later,
with the introduction of semi-mechanised processes, Chieri had a productive recovery, with
the weaving mill set up by David Levi in 1809 in the building of the former Santa Chiara
convent, and subsequently with the introduction of the Jacquard loom (about 1830). In the
following decades, and until the maximum expansion in 1910, the Chieri textile industry
went on increasing the production and the people employed. Spinning mills and dyeworks
multiplied, though still linked to a network of home weaving, when no one would walk in
any street of the town without hearing the typical beat of the looms. In 1832 38 weaving
mills were registered, with 470 hand-operated machines; in 1892 the factories were only
17, but their average equipment had been increased to 50 looms each, still prevalently
hand-operated, and the production was also increased.
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